Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Albert Dubois-Pillet
The Marne at Dawn

ID: 54173

Albert Dubois-Pillet The Marne at Dawn
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Albert Dubois-Pillet The Marne at Dawn


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Albert Dubois-Pillet

French, 1846-1890.was a French painter and army officer. He graduated from the École Imp??riale Militaire at Saint-Cyr in 1867. He fought the Franco-Prussian War, during which he was made prisoner by the Germans. He started painting after the war, inspired by the Neoimpressionists.   Related Paintings of Albert Dubois-Pillet :. | Niccol da Tolentino Leads the Florentine Troops w | Marchesa Cattaneo with a Servant | The Horse Dealers (mk09) | Entry of the Crusaders into Constantinople on 12 April 1204 (mk05) | The Great Trees, Mariposa Grove, California |
Related Artists:
Karl Heffner
painted Am Ufer in 1849 - 1925
Giuseppe Simonelli
(Naples, c.1650 - 1710) was an Italian painter. Born in Naples around 1650, Simonelli was one of the most important painters of the school of Luca Giordano. His early works were often retouched by Giordano to such a degree that some of them were confused with those of the master. He learned Giordanoes art so well that when the master left Naples for the Spanish court in 1692, he was assigned the task of completing the unfinished Neapolitan works for delivery to clients. Reliable details of his own production are available as from 1686, when he received the final payment for a painting of Holy Martyrs for the Jesuit college in Trapani. His most celebrated works are the series of 28 paintings for the Church of the Annunziata in Aversa, produced between 1702 and 1703 together with his brother Gennaro. He worked continuously right up to his death in 1710.
Eunice Pinney
American Folk Artist, 1770-1849 She was a self-taught artist who, from about 1809 to 1826, devoted part of her time to producing a wide range of subjects in watercolour: landscape, genre, historical, biblical, allegorical and literary. Her distinctive style is solid and robust, with a strong sense of contrast and design. Problems in creating realistic form are apparent: faces are largely expressionless, and figures are stocky and two-dimensional. However, these difficulties are compensated for by fresh vigorous colour, bold pattern, artful composition and varied subject-matter. Pinney displayed the primitive artist's tendency to borrow and model from the best sources at hand: The Cotter's Saturday Night






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